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If you read CHOI Sooran’s essay, she explains the interplay of avant-garde artists and popular journalism. Can you explain why the government tried to control expression of pioneering visual arts (including performance, happening, etc)? How did the author (Choi) interpret covert or overt tactics used by Korean artists to avoid censorhip in the 1970s? Also Pyun’s essays on unisex and miniskirs discuss the impact of censorship on dress codes. Where do you find infiltration of the regime’s authority and censorship in regulation of bodies? What are the examples used in Pyun’s essays?
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